BENDIX HARMS

BENDIX HARMS

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Bendix Harms, Kein Mensch – Kein Tier – Frau Grenadier (No Human – No Animal – Mrs. Grenadier), 2019, Salon Nino Mier, Cologne, Germany, Installation view
Bendix Harms, Kein Mensch – Kein Tier – Frau Grenadier (No Human – No Animal – Mrs. Grenadier), 2019, Salon Nino Mier, Cologne, Germany, Installation view 
Bendix Harms, Frau Grenadier, 2019, Oil on canvas, 74 3/4 x 59 1/8 in (190 x 150 cm)
Bendix Harms, Kein Mensch – Kein Tier, 2018, Oil on canvas, 59 1/8 x 51 1/8 in (150 x 130 cm)
Bendix Harms, Sankt Rufus, 2018, Anton Kern Gallery, New York, NY, Installation view
Bendix Harms, Sankt Rufus, 2018, Anton Kern Gallery, New York, NY, Installation view 
Bendix Harms, Das Reale, Oil on canvas, 47 1/4 x 35 3/8 in, (120 x 90 cm)
Bendix Harms, Defend Østerfælden, Oil on canvas, 74 3/4 x 98 3/8 in, (190 x 250 cm) 
Bendix Harms, Ein Geist – Ein Zeichen – Rufus, 2018, Oil on canvas, 66 7/8 x 55 1/8 in (170 x 140 cm)
Bendix Harms, BE ME, 2009,  Colored pencil on paper, 24.8  x 17.4 in (63.2 x  44.1 cm)
Bendix Harms, Haus Mir, 2009, Colored pencil on paper, 25.6 x 19.7 in (65 x 50 cm)
Bendix Harms, Kupferkuss, 2009, Colored pencil on paper, 24.8 x 17.4 in (63.2 x 44.1 cm)
Bendix Harms, ÄMEN, 2018, Anton Kern Gallery, ¨New York, NY, Installation view
Bendix Harms, ÄMEN, 2017, Anton Kern Gallery, New York, NY, Installation view
Bendix Harms, Haus Ohr, 2014, Oil on canvas, 63 x 78.75 in (160 x 200 cm)
Bendix Harms, Isch geh als Isch, 2014, Oil on canvas, 31 1/2 x 23 5/8 in (80 x 60 cm)
Bendix Harms, Schmetterlingsens, 2009, Colored pencil on paper, 25.6 x 19.7 in (65 x 50 cm)
Bendix Harms, Fuck you, fuck you too, 2012, Colored pencil on paper, 25.6 x 19.7 in (65 x 50 cm)
Bendix Harms, Mein Blick (My View), 2017, Oil on canvas, 78 3/4 x 90 1/2 in (200 x 230 cm)
Bendix Harms, Nichttöten durch Weggucken, 2018, Oil on canvas, 82 5/8 x 59 1/8 in (210 x 150 cm)
Bendix Harms, Das erste Lied, 2014, Colored pencil on paper, 16.5 x 11.7  in (42 x 29.7 cm)
Bendix Harms, Jackson Bollllllllock, 2014, Colored pencil on paper, 11.7 x 16.5 in (29.7 x  42 cm)
Bendix Harms, Our PropertyOil on canvas, 59 1/8 x 51 1/8 in (150 x 130 cm)
Bendix Harms, Independent Art Fair, 2016, New York, NY, Installation view
Bendix Harms, Independent Art Fair, 2016, New York, NY, Installation view

BENDIX HARMS

Born 1967 in Münster, Germany
Lives and works in Allerup, Denmark

EDUCATION
1991-97 Hochschule für Bildende Künste (HfBK), Hamburg, MFA

SELECTED EXHIBITIONS

2019
Kein Mensch – Kein Tier – Frau Grenadier (No Human – No Animal – Mrs. Grenadier), Salon Nino Mier, Cologne, Germany

2018
Bendix Harms: SANKT RUFUS, Anton Kern Gallery, New York, NY
Bendix Harms: Deathless Rufus: Defend Østerfælden, Moran Bondaroff, Los Angeles, CA

2017
Bendix Harms: ÄMEN, Anton Kern Gallery, New York, NY
Hope and Hazard: A Comedy of Eros, curated by Eric Fischl Hall Art Collection, Reading, VT

2016
Implosion 20, Anton Kern Gallery, New York, NY
Don’t call me when you are rich or famous. Call me only if you are in the gutter., Grice Bench, Los Angeles, CA
The Great Figure Two, The Journal Gallery, Brooklyn, NY
Shout for Tomorrow, Hirschl & Adler Modern, New York, NY
Colliding Alien Bodies, Marlborough Chelsea, New York, NY
Bendix Harms, Independent Art Fair, Anton Kern Gallery, New York, NY (solo)

2015
Love: The First of the 7 Virtues, Hudson Valley Center of Contemporary Art, Peekskill, NY
SELF: Portraits of Artists in their Absence, curated by Filippo Fossati, National Academy Museum & School, New York, NY

2014
Call and Response, Gavin Brown’s Enterprise, New York, NY

2012
The Killer Rabbit Ranch Rodeo, Nationalmuseum, Berlin, Germany

2010
Drawing group exhibition, Tanja Pol Galerie, Munich, Germany
Love and Friendship in the Nuclear Age, group exhibition, Galerie Dana Charkasi, Vienna
The Cannibal`s Muse, group exhibition, Patricia Low Contemporary, Gstaad, Switzerland

2009
Bendix Harms: Sog, Sabine Knust, Munich, Germany
Until the End of the World, Andres Melas Presents, Athens, Greece

2008
Bendix Harms: Lebenslieben, Anton Kern Gallery, New York, NY
Friends and Family, Anton Kern Gallery, New York, NY
Bendix Harms, Galería Heinrich Ehrhardt, Madrid, Spain

2007
Bendix Harms: Burg Uns, Sabine Knust Gallery, Munich, Germany
Size Matters: XXL, HVCCA – Hudson Valley Center for Contemporary Art, Peekskill, NY
The Sorcerer’s Apprentice: Late Picasso & Contemporary Painters, Galleri Faurschou, Copenhagen [cat.]

2006
Bendix Harms: Solid As A Rock, Anton Kern Gallery, New York, NY
Bold Moves, Scenic, New York, NY

2005
Prague Biennial, Prague, Czech Republic

2004
Which Feeder? Two-person show with John Bock, Anton Kern Gallery, NY

2001
Musterkarte, Modelos de pintura en Alemania, Galeria Elba Benitez, Madrid; Galerie Heinrich Ehrhardt, Conde Duque
Tirana Biennale 1, National Gallery + Chinese Pavillion, Tirana, Albanian
Major Sponsen – ahead, Galerie Heinrich Ehrhardt, Madrid, Spain

2000
Bendix Harms, Galerie Karin Guenther, Hamburg, Germany

1998
Bendix Harms: Harms Hirsig Jung, Galerie Philomene Magers, Cologne, Germany
Salon 98, Galerie Bärbel Grässlin bei Tishman+Speyer Properties Messeturm, Frankfurt, Germany
Bendix Harms, Hirsig Harms Jung, Galerie Heinrich Erhardt, Madrid, Spain

BIBLIOGRAPHY

2018
SUMMER OF LOVE, Freight+Volume, New York, NY

2016
Bendix Harms: Chosen Ones. New York: Karma, Anton Kern Gallery, and Galerie Sabine Knust.

2006
Against mush-death [in:] Bendix Harms Solid As a Rock (cat.), interview by Mari Susanne Kollerup.
“Bendix Harms,” The New Yorker, February 13 & 20, 2006.
Embracing His Emotion With Open Harms, Julia Butareva, Colombia Daily Spectator, February 21.
Henry, Max. “Bendix Harms,” Time Out New York, February 2-8, 2006.
Cohen, David. “Bendix Harms,” The New York Sun, February 2, 2006.

2005
Vincent, Steven. “Bendix Harms and John Bock at Anton Kern Gallery,” Art in America, May, 2005.

2004
“John Bock / Bendix Harms,” The New Yorker, December 6, 2004.
Smith, Roberta. “John Bock / Bendix Harms,” The New York Times, December 3, 2004.
Henry, Max. “John Bock and Bendix Harms,” Time Out New York, November 25-December 1, 2004.
Stillman, Nick. “John Bock and Bendix Harms,” Artforum, 2004.
“John Bock,” Village Voice, November 2004.

COLLECTIONS

Deutsche Bank Collection, Germany
Metropolitan Museum of Art, New York
Museum of Contemporary Art, Los Angeles
San Francisco Museum of Modern Art, San Francisco

Download CV

“SUMMER OF LOVE”
Freight+Volume
2018
LINK TO ARTICLE

“The Subject Tells the Story: Bendix Harms”
Mouse Magazine
Interview with Simonini
October 1, 2018
LINK TO ARTICLE 

“11Galeries to Visit Now on the Upper East Side and in Harlem”
The New York Times
By Roberta Smith
April 28, 2017
LINK TO ARTICLE

 

 

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