JON PYLYPCHUK

JON PYLYPCHUK

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Pink Eye, 2018, Bronze and enamel paint on wooden plinth 31 x 38 x 7 1/2 in, Unique Edition of 3 of plus 2 AP
If George Burns is Dead I Want to be Dead Too, 2018, Bronze and enamel paint on wooden plinth, 35 x 30 x 13 in, Unique Edition 3 of plus 2 AP
Like an eagle rising from a Phoenix, 2017, Éric Hussenot, Paris, France, Installation view
I will unravel the wills of mortals, 2017, Enamel, spraypaint, light bulbs, fabric, handtruck, 198 x 76 x 91.5 cm
You asked politely so, for you, I fucked the tiger, 2017, Spray paint, watercolor, wood glue, fabric, enamel, polyurethane on panel on linen, 44 x 44 in, 111.8 x 111.8 cm
American Moses, 2017, Tires, enamel, spray paint, light fixture light bulbs, 40 x 60 x 22 in, 101.6 x 152.4 x 55.9 cm
Summer Show, 2015, Petzel Gallery, New York NY, Installation view
Untitled, 2015, Enamel on gessoed panel, 78 x78 in
In the absence of human bastards, 2011, China Art Object Galleries, Los Angeles, Installation view
And Then I Realized That I Had Also Pissed Myself A Little, But I Didn’t Pass Out, 2011, Mixed media, 128 x 160 x 60 inches, from In the absence of human bastards, 2011, China Art Object Galleries, Los Angeles
I Feel Lost And I Miss My Parents, 2011, Mixed media, 60 x 60 inches, from  In the absence of human bastards, 2011, China Art Object Galleries, Los Angeles
Jon Pylypchuk, Alison Jacques Gallery, 2009, Installation view
just sit back and recount the violence of one year, detail, 2008, mixed media, dimensions variable
05.05.18 – 06.16 | JON PYLYPCHUK

 

Born 1972 in Winnipeg, Canada
Lives and works in Los Angeles

EDUCATION

2001
M.F.A., University of California, Los Angeles

1997
B.F.A., University of Manitoba

1996
Yale University School of Music and Art, New Haven

SELECTED SOLO SHOWS

2018
American Moses, Nino Mier Gallery, Los Angeles

2017
Like an eagle rising from a Phoenix, Eric Hussenot, Paris FR

2016
i am resuming my place at the top, by force, so suck it!, Páramo Galeria, Guadalajara, Jalisco, México

2015
Summer Show, Petzel Gallery, New York|
Feed Your Baby Valium, China Art Objects, Los Angeles

2013
after the royal art lodge, Galerie Division, Montreal

2012
Sydney Biennial, Sydney, Australia
I won’t give up on you, Fred Snitzer Gallery, Miami
for all the love in the world, Tomio Koyama, Tokyo

2011
In the absence of human bastards, China Art Object Galleries, Los Angeles Love, my reluctant but faithful enemy, Galerie Hussenot, Paris

2010
Old Drunk Paintings and Other Works of Fine Art, Frederic Snitzer Gallery
Jon Pylypchuk, China Art Object Galleries, Los Angeles
Jon Pylypchuk, Musée d’art contemporain de Montréal, Montréal

2011
In the absence of human bastards, China Art Object Galleries, Los Angeles
Love, my reluctant but faithful enemy, Galerie Hussenot, Paris

2010
Old Drunk Paintings and Other Works of Fine Art, Frederic Snitzer Gallery, Miami
Jon Pylypchuk, China Art Object Galleries, Los Angeles
Jon Pylypchuk, Musée d’art contemporain de Montréal, Montréal

2009
Jon Pylypchuk, Blaffer Gallery, The Art Museum of The University of Houston, Houston, TX
Jon Pylypchuk, Sies + Höke Galerie, Düsseldorf
Blaffer Gallery, The Art Museum of the University of Houston, Houston
The War, Friedrich Petzel Gallery, New York
Experimental Art and Culture: Jon Pylypchuk, The Art Gallery of Calgary, Calgary Jon Pylypchuk Ausstellungshalle zeitgenössische Kunst Münster, Münster
Jon Pylypchuk, Alison Jacques Gallery, London

2008
Jon Pylypchuk, China Art Objects Galleries, Los Angeles
Jon Pylypchuk, City of Zurich Theatre in association with the Migros Museum, Switzerland

2007
Press a weight through life, and I will watch this crush you, Friedrich Petzel Gallery, New York
Jon Pylypchuk, Galerie Ghislaine Hussenot, Paris
Jon Pylypchuk, Jack Hanley Gallery, San Francisco
Jon Pylypchuk, Sies + Höke Galerie, Dusseldorf

2006
Jon Pylypchuk, Tomio Koyama Gallery, Tokyo
Jon Pylypchuk, China Art Objects Galleries, Los Angeles
you are all too close to dropping off now, Alison Jacques Gallery, London
you asked me to come and see your routine, you call this a fucking routine? Curve: Jon Pylypchuk, Museum of Contemporary Art, Cleveland Jon Pylypchuk, Massimo de Carlo, Milan

2005
i have thought deep into this trouble, Friedrich Petzel Gallery, New York
Jon Pylypchuk, Galerie Ghislaine Hussenot, Paris

2004
i will live with my hands like this, Massimo de Carlo, Milan
you won’t live past 30 (with Adrian Williams), China Art Objects, Los Angeles
you are the only one left, Galleri Christina Wilson, Copenhagen Jon Pylypchuk, Locust Projects, Miami
Erections Pointing at Stars and Angels, aspreyjacques, London

2003
Jon Pylypchuk and Diena Georgetti, Hamish McKay Gallery, Wellington, New Zealand
Jon Pylypchuk, Tomio Koyama, Tokyo\ i will plug your wound to protect everyone now / plug everyone now, Galerie Borgmann-Nathusius, Cologne
and now occasionally, and reluctantly, i lift my head from where it hangs in shame, Friedrich Petzel Gallery, New York

2002
if wishes were horses, China Art Objects, Los Angeles

2001
don’t let me down / this is all you are allowed, Galerie Borgmann- Nathusius, Cologne
the crying, no arms, mournful thoughts society, Friedrich Petzel Gallery, New York (cat.)

2000
how to live to 100, China Art Objects Galleries, Los Angeles

1999
one day art sale, China Art Objects Galleries, Los Angeles

SELECTED GROUP SHOWS

2017
SomeBodies, Petzel Gallery, New York
The Inner Skin: Art and Shame, MARTa Herford, Herford Concrete Island. Venus, Los Angeles
Heat Wave. Curated by Dylan Brant. Untied Talent Agency Artist Space, Los Angeles

2016
Wasteland, Galerie Thaddaeus Ropac, Paris

2015
(Performance) Kisk, Hammer Museum of Art, Los Angeles
Group Exhibition, Blum and Poe, Los Angeles
Under Construction, Páramo Galeria, Guadalajara, Jalisco, México Sweet Sixteen, China Art Objects Galleries, Los Angeles Seinfeld (a show about nothing), Fredric Snitzer Gallery, Miami

2014
Person, Place or Thing: Works on Paper By Over 50 Artists, Kornfeld Galerie, Berlin
Split Milk, Armory Center for the Arts, Pasadena Death Ship: A Tribute to HC Westerman, The Pit, Los Angeles Not for all my little words, Marc Straus, New York
Dramedy, Fort Worth Contemporary Arts, Fort Worth

2013
Pet Shapes, China Art Objects Galleries, Los Angeles
True Believers, Curated by Adam D. Miller, Max Presnell, Jason Ramos, Torrance Art Museum, CA
My Winnipeg: The Artist’s Choice, Plug In Institute of Contemporary Arts, Winnipeg, Canada
After the Royal Art Lodge, Galerie Division, Montreal, Canada

2012
My Winnipeg: There’s no place like home, Plug In ICA, Winnipeg, Canada
Flights from Wonder, Santa Barbara Contemporary Arts Forum, Santa Barbara
Created Worlds and Altered Histories, JK Gallery, Los Angeles

2011
Flights From Wonder, Santa Barbara Contemporary Arts Forum, Santa Barbara

2010
Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles
Paper, Frederic Snitzer Gallery, Miami
The Drawing Room, Annet Gelink Gallery, Amsterdam, Netherlands
Knock Knock: Who’s There? That Joke Isn’t Funny Anymore, Fred Torres Collaborations, New York

2009
The Curse of Ceramics, China Art Objects Gallery, Los Angeles Compass in Hand: The Judith Rothschild Foundation Contemporary Drawings Collection Gift, Museum of Modern Art, New York
Wonderland – Through the Looking Glass, KadE Kunsthal, Amersfoort (cat.)
Second Nature: The Valentine-Adelson Collection, Hammer Museum, Los Angeles
Group Show, The Art Gallery of Calgary, Canada

2008
Emerson vs Nietzshce, China Art Objects Galleries at Cottage Home, Los Angeles
Lustwarande 08, Wanderland, Fundament Foundation, Tilburg The Program, Modern Art Museum, Fort Worth, Dallas

2009
Ausstellungshalle zietgenössische
, Kunst Münster, Münster
Cult Fiction, Tullie House, Carlisle
Cult Fiction, Aberystwyth Art Gallery, Aberystwyth
The unruly and the humorous, Angles Gallery, Los Angeles

2007
The Lath Picture Show, Friedrich Petzel Gallery, New
Phantasmania, Kemper Museum of Contemporary Art, Kansas City
Cult Fiction, Hayward Gallery, London (travelling exhibition)
Cult Fiction, The New Art Gallery, Walsall, England
Cult Fiction, City Art Gallery, Leeds
Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London, England
Poetics Country, Ferenbalm-Gurbru Station, Karlsruhe, Germany
USA Today: New American Art from The Saatchi Gallery, The State Hermitage
Museum, St. Petersburg, Russia

2006
USA Today: New American Art from the Saatchi Gallery, Royal Academy of Arts, London
Meditations in an Emergency, Museum of Contemporary Art Detroit
Scarecrow, Evangelos Averoff Museum, Metsovo, Greece
Nightmares of Summer, Marvelli Gallery
Humor Me, Kansas City Art Institute

2005
Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York
Gallery Exchange, Bowie Van Valen, Amsterdam
Desired Constellations, Daniel Reich Gallery, New York
Hanging by a Thread, Moore Space, Miami

2004
You won’t live past 30, two-person show with Adrian Williams, China Art Object Galleries, Los Angeles
The Royal Art Lodge: Ask the Dust, Museum of Contemporary Art, Los Angeles
The Royal Art Lodge: Ask the Dust, The Elaine L. Jacob Gallery, Wayne State University, Detroit
3 Rooms 3 Artists, Alison Jacques Gallery, London
Dessins et Des Autres, Gallerie Anne De Villepoix, Paris

2003
Project room, Tomio Koyama Gallery, Tokyo
Atto Primo, Studio Massimo De Carlo, Milan
Rendered: Works on paper from 46 artists, Sara Metlzer Gallery, New York
Some Things We Like, Asprey Jacques, London
The Royal Art Lodge: Ask the Dust, The Drawing Center, New York The Royal Art Lodge: Ask the Dust, Seoul Museum of Art, Seoul, Korea The Royal Art Lodge: Ask the Dust, The Power Plant, Toronto
The Royal Art Lodge: Ask the Dust, De Vleeshal, Middleburg, Netherlands
Works for Giovanni, China Art Objects Galleries, Los Angeles

2002
Stranger Than Fiction, Nylon, London
I’m from Orange County and I Drink Johnny Walker Red, Gallerie Julius Hummel, Vienna Necessary Fictions, De Chiara, New York
The Dubrow Biennial, Kagan Martos Gallery, New York
21 Paintings from L.A., Robert V. Fullerton Art Museum, Cal State University, San Bernadino. Curated by James Gobel.
Drive By, Reynolds Gallery, Richmond. Curated by Katie Brennan
Fantasyland, D’Amelio Terras, New York Song Poems, Angstrom Gallery, Dallas

2001
Kim Fisher, David Korty, JP Munro, Jon Pylypchuk, Eric Wesley, China Art Objects, Los Angeles Thesis Show, Dickson Art Centre, Los Angeles
Paper, Galerie Borgmann, Nathusius, Cologne
Song Poems, curated by Stephen Hull, Cohan, Leslie and Browne, New York
Snapshot: New Art from Los Angeles, UCLA Hammer Museum; Museum of Contemporary Art, Miami
Michael Dumontier, Jonathan Pylypchuk, Adrian Williams, The Living Room, Santa Monica
Cancelled Art Fair!, China Art Objects, Los Angeles
MFA Thesis Show #2, New Wight Gallery, Los Angeles China Art Objects Gallery, Los Angeles, CA

2000
Project # 0004, Friedrich Petzel Gallery, New York
China Art Objects, Sadie Coles HQ, London
New School, works on paper, inc. Los Angeles
Circles, ZKM Museum, Karlsruhe

1997
Royal Art Lodge, Winnipeg
Drawings from the Royal Art Lodge, University of Houston
Fresh Popped, Plug in Gallery, Winnipeg

 BIBLIOGRAPHY

2016
Nimptsch, Emily, “John Polypchuck: Darkness by Appointment Only,” FLAUNT, 2016.

2015
Garrand, Janine, “Imagine, if you will, for once, that nothing is lost…” FLAUNT, July 2015.
Laster, Paul “8 Things to Do in the New York Art World Before July 3,” New York Observer, June 29, 2015. Rothman, Tibby, LA stories, Wallpaper*, February 2015, pp. 134-143.

2013
Grotjahn, Mark, Shame, Sociality and Success, Mousse Magazine, February 2013.

2011
Campbell, James D., Jon Pylypchuk, frieze, Issue 137, March 2011, p. 144 (ill.).

2010
Jon Pylypchuk, Musée d’Art Contemporain de Montréal, exhibition catalogue, 2010
Kirkpatrick, Gail B., John Pylypchuk, D.A.P., Book Reviews, 2010.
Britt, Douglas, On View, Houston Chronicle, February 4, 2010.
John Pylypchuk, Houston Lifestyles & Homes, Reviews, January 2010.

2009
Klaasmeyer, Kelly, & Troy Schulze, Art Capsules, Houston Press, p.33, Nov 12-18, 2009.
Dumas, Brittni, Art. Love. Politics., Houston Arts, The Arts, September 9 2009. Bowen, Jeffrey, Blaffer Exhibits Explore Consumerism, Relationships and War, University of Houston press, p.8, August 2009.
Bowen, Jeffrey, Blaffer Gallery presents Josephine Meckseper and Jon Pylypchukre-title.com, exhibitions, September 12- November 14 2009.
Krusleski, Sarah, Gallery displays differing styles, The daily cougar, 2009. Golden, Michael, Eye on the East End/Third Ward, Houston Chronicle online, August 14 2009.
Regine, Just sit back and recount the violence of one year, We make money, not art, February 4 2009.
Klaasmeyer, Kelly, Animal Art, Houston Press, November 5-11, 2009, p. 34. Brit, Douglas, Unsettling works are order of the day, Houston Chronicle, September 11, 2009, p.E2
Museum Previews: Jon Pylypchuk, Art in America Annual Guide to Galleries, Museum, Artists, August 2009, p.34
Hagenaars, Hanne, Gijs Assmann over keramiek, Mister Motley, Nummer 22, p.38. Danby, Charles, Jon Pylypchuk, FlashArt, March – April 2009, p. 86.
Coxhead, Gabriel, Time Out London, January 21, 2009.
Lack, Jessica, Guardian Guide, January 3-9, 2009, p. 39.
Lack, Jessica, Artist of the Week, www.guardian.co.uk, January 14, 2009

2008
Enright, Robert, Pressing a Weight Through Life, Border Crossings, October 2008, Issue No. 107, pp. 32-46

2007
Mahony, Emma, Jon Pylypchuk, Cult Fiction, Hayward Gallery Publishing, 2007, pp.66-67 & 92

2006
USA Today: New American Art from The Saatchi Gallery exhibition catalogue, Royal Academy of Arts, 2006, p. 300-311
Honigman, Ana Finel, Jon Pylypchuk in Conversation with Ana Finel Honigman, The Saatchi Gallery Daily Magazine Online, November 2, 2006.
Litt, Steven, Jon Pylypchuk: Museum of Contemporary Cleveland, Canadian Art, Fall 2006, p. 135.
Frazer, Joe, Jon Pylypchuk, Flash Art, May – June, 2006, p. 124
Niemi, Ilona, Humor Me: Kansas City, Art Papers, May/June 2006, p. 60
Pagel, David, One scene, but plenty of pathos, Los Angeles Times, May 12, 2006
Litt, Steven, Installation Raises Provocative Issues, The Plain Dealer, May 2, 2006
Walsh, Meeka, The Winnipeg Alphabestiary: The Many and the Marvellous, BorderCrossings, vol.25, #1, issue No. 97, March, 2006, pp. 52- 85.
vol.25, #1, issue No. 97, March, 2006, pp. 52- 85
Forest, Tim, Art & Antiques, Mayfair & St. James’s Life, April, 2006, p. 10
Enright, Robert & Maddin, Guy, City Report: Winnipeg, Frieze, March, 2006, p.144- 151 Brown, Neal, Cuddly toys on crack, First Post, March 2006
Neil, Jonathan T.D., ars nova, Modern Painters, March 2006
Jon Pylypchuk, Kultureflash, No. 157, March 2006
Enright, Robert, Return of the Crazy Gang, ArtReview, March, 2006, pp. 64-69
Thorson, Alice, ‘Humor Me’ is Heavier Than it Looks, The Kansas City Star, February 23, 2006, p. 30.

2005
Buck, Louisa, Young Germans take over De La Cruz Mansion, The Art Newspaper, December 3, 2005, p. 6
Princenthal, Nancy, Jon Pylypchuk at Friedrich Petzel, Art in America, December 2005, pp. 142-143 Saltz, Jerry, Ups and Downs, The Village Voice, September 23, 2005
Yablonsky, Linda, The Wry Appeal of Dzama’s Severed Heads, Pylypchuk’s Sad Cats, Bloomberg.com (http://www.bloomberg.com/news/muse.html), September 30, 2005
Tully, Judd, Making it Personal, Artforum, September 2005, p. 159
Yablonsky, Linda, Storm und Drang, Artforum.com, September 14, 2005
Smith, Roberta, Art in Review, The New York Times, August 5, 2005
Yablonsky, Linda, Sticky Situation, ArtNews, April 2005, p. 107
Harper, Paula, Dynamic Domesticity, Art in America, December 2005, p. 75
Jon Pylypchuk: Drawings, KULT, November 2005, p. 99-109
Houpt, Simon, In Snow’s Wake a New Generation of Canadian Artists Take Manhattan, The Globe and Mail, October 5, 1990, p. R1

2004
Nelson, Arty, Canadian Club, The Royal Art Lodge Spikes LA Scene, LA Weekly, December, p. 55
Jon Pylypchuk, Vitals, September 2004, p. 222
Morton, Tom, Jon Pylypchuck, Asprey Jacques, London, Frieze, issue no. 83, May 2004, pp. 104-105
Einspruch, Franklin, Horrible prettiness, Street, April 9-15, 2004, p. 53
Forrest, Tim, Not for the Faint-hearted, Mayfair Life, March, p. 16
Burnett, Craig, Jon Pylypchuk, Art Monthly, March, p. 29
Wilsher, Mark, Jon Pylypchuk: Erections Pointing at Stars and Angels, What’s on in London, March 3-10, p. 28
Comer, Martin, Jon Pylypchuk, Time Out, March 3-10 Gonzalez, Veronica and Stapleton, Lara, Juncture, Soft Skull Press, New York, 2003, p. 155

2003
Pollack, Barbara, The New Visionaries, Artnews, December, p. 92-97
Duponchelle, Valérie, L’Europe en pleine fiévre contemporainé, Le Figaro, November 21, p. 32-33
Murray, Derek, Jon Pylypchuk at Friedrich Petzel, Art in America, October 2003, p. 128
Jon Pylypchuk, artnet.com, October 23, 2003 Trainor, James, Winnipeg on the Hudson, Border Crossings, issue no. 87, vol. 22, 2003, pp. 36-47
Ask the Dusk, exhibition catalogue from The Royal Art Lodge, pp. 94-97
Dyer, Richard, News, London, contemporary, issue 55, September, p. 14-15
Sculpture Forever, Flash Art, July – September 2003, no. 231, p. 106
The Royal Art Lodge, Canadian Art, Summer 2003, pp. 88-89
Dunn, Melissa, and Charles Gute, The Royal Art Lodge: Ask The Dust: Flash Art International, no.229, March-April 2003, p. 55
Bradley, Will, Giovanni Intra 1968-2002, Frieze, no.73, March 2003, pp. 54-55
Lewis, Sascha (ed.), Conversation on Contemporary Art Collectives, flavorpill.com, Issue 143, March 4-10, 2003 Nakazawa, Hideki, Saison Art Program, Newsletter, no. 44, February 2003, p. 6.
Johnson, Ken, Jon Pylypchuk, The New York Times, February 21, 2003
Levin, Kim, ShortList, The Royal Art Lodge: Ask the Dust, The Village Voice, February 19-25, 2003.
Levin, Kim, Jon Pylypchuk + Nicola Tyson, The Village Voice, February 12, 2003 Stern, Steven, The imaginative faculty, Time Out New York, February 13 – 20, 2003, p. 59
The Royal Art Lodge, in: The New Yorker, February 10, 2003 Saltz, Jerry, Paper Trail, in: The Village Voice, January 29- February 4, 2003, p. 56.

2002
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni & Ali Subotnick (ed.), Charley 01, 2002, p.109
Out Out West, artnet.com Magazine, September 20, 2002
Jon Pylypchuk, The Village Voice, Fall Arts – Art and Photo, September 4-10, 2002, p. 72
Honigman, Ana Finel, Fantasyland, Time Out New York, June 20 -27, 2002, p. 60 Kimmelman, Michael, Fantasyland, The New York Times, June 14, 2002, p.E38.

2001
Lineup for Dubrow Biennial, Artnet.com, March 22, 2002
Dambrot, Shana Nys, Snapshot: New Art from Los Angeles, Tema Celeste, SeptemberOctober 2001, p. 100
Subotnick, Ali, Snapshot: New Art from Los Angeles, Frieze, October 2001, p. 99 Goodman, Wendy, White Hot, Elle Decor, October 2001, pp. 223-227
Mahoney, Robert, Jon Pylypchuk a.k.a. Rudy Bust at Friedrich Petzel, Art in America, October 2001, pp.166-167
Trainor, James, Woebegone Daze, Border Crossings, no. 78, May 2001, pp.133-134
Smith, Roberta, Jonathan Pylypchuk, The New York Times, February 9, 2001
Jon Pylyphcuk, The Village Voice, February 13, 2001, p.104
Jon Pylypchuk, The New Yorker, February 5, 2001, p.18
Smith, Roberta, Jonathan Pylypchuk, The New York Times, January 26, 2001, p. E41
Hoptman, Laura, The Shape of Things To Come, Flash Art, January-February 2001, pp. 86-88
Dailey, Meghan, Jon Pylypchuk, Friedrich Petzel Gallery, Artforum, April 2001, p.137

2000
Harvey, Doug, It’s Chinatown, LA Weekly, May 3, 2000

1999
Stark, Frances, Frances Stark’s Top Ten, Artforum, November 1999, p. 60

PUBLIC COLLECTIONS

Blaffer Museum of Art, Texas de la Cruz Collection, Miami Hammer Museum, Los Angeles
Los Angeles County Museum of Art, Los Angeles
National Gallery of Canada, Ottawa Museum of Contemporary Art, Cleveland Museum of Contemporary Art, Los Angeles Musuem of Contemporary Art, North Miami Museum of Modern Art, New York
MONA Museum, Berridale, Tazmania
Saatchi Collection, London
Stedelijk Museum voor Actuele Kunst, Gent
The Whitney Museum, New York
The Winnipeg Art Gallery, Winnipeg

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