Seth Bogart | LICK

SETH BOGART | LICK
JUNE 28, 2018 — AUGUST 4, 2018

Installation view

NINO MIER GALLERY
1107 Greenacre Ave
West Hollywood, CA 90046

FOR IMMEDIATE RELEASE

Seth Bogart: LICK
June 28 – August 4, 2018

Nino Mier Gallery is thrilled to announce its first exhibition with Los Angeles-based artist Seth Bogart, LICK, opening June 28th and on view through August 4th. There will be an opening reception Thursday, June 28th from 6-8pm. 

 Culling from Bogart’s extensive and multidisciplinary background as a musician, performer and visual artist, Bogart creates a complete environment in the gallery space. Envisioned as a cross between a zine stand, backroom of a sex shop and an art exhibition, the exhibition presents a range of his early and recent painting in addition to ceramics, limited-run publications and his trademark papier-mâché objects. Rooted in a long lineage of the artist’s creative pursuits, with nods to the legacies of both punk and queer art, Bogart seamlessly blends camp with deeper connections to readymade consumer products, pop culture and the idea of the queer archive. 

 Bogart is known for elaborate multimedia presentations, often incorporating vividly-painted chromatic backdrops, oversized objects, video work and props that seemingly operate in the space of installation art intersecting with a children’s program television set. Given his background in punk, Bogart’s earliest engagement with visual art was at the ‘merch table’–a staple of DIY music culture with its assortment of t-shirts, zines and CDR mixtape covers, all handmade and intended for quick, easy accessibility. This fascination with readymade objects carried through to his first exhibitions, in which video, ceramics and paintings were presented as surreal installations, draws equally from John Waters, Pee-Wee’s Playhouse and Warhol’s first Factory. 

 In this exhibition, Bogart uses the entirety of the gallery space to create an immersive, retail-like environment filled with salon-hung paintings, ceramics, papier-mâché props and a pink painted walls with logo-like signature decals. Paying homage to the gallery’s location in West Hollywood, he focuses on the idea of the queer archive–objects that form nodes of identification within queer culture, especially considering the lessened role that physical objects, code words, sex stores and club memberships now play as a result of hookup apps and social media. Plinths present an array of ceramic objects modeled after recognizable gay paraphernalia, from poppers and handcuffs, to condom wrappers, virility supplements, Truvada bottles and mascara. Similarly, the front space of the gallery is converted into a sex shop, with contemporary and historic gay magazines spanning an array of subcultures and genres to read and explore amongst more erotic ceramic objects.  

 Going against the dry, antiseptic presentation of artwork and curatorial intent, Bogart actively undermines the institution of the gallery setting, using lightness and camp humor to form deeper observations on mass consumer and aesthetic culture. Writing in her 1964 essay ‘Notes on Camp’, Susan Sontag observes: 

 Camp sees everything in quotation marks. It’s not a lamp, but a “lamp”; not a woman, but a “woman.” To perceive Camp in objects and persons is to understand Being-as-Playing-a-Role. It is the farthest extension, in sensibility, of the metaphor of life as theater 

Fittingly, Bogart’s embrace of theatricality in his work exposes the absurdity of much of our visual culture. As ceramics, toothbrushes become useless, and a clay whip is fragile and unintimidating. Yet it is this method of formal flattening, similar to artists like Katherine Bernhardt, that Bogart readily portrays the idea of an object rather than obsessing over its precise physical details. In so doing, he re-emphasizes the preciousness of objects, and the importance of physical culture, especially for those little trinkets and ephemera that allowed otherwise invisible communities to endure and thrive.  

 Seth Bogart (b. 1980 in Tucson, AZ) lives and works in Los Angeles, CA. Bogart was involved in the bands Gravy Train!!!! followed by Hunx and His Punks, and now releases music under his own name. He held his first solo show, The Seth Bogart Show, at 356 S. Mission Rd. in 2015. He has since performed at LACMA, MOCA and has exhibited with galleries and institutions including the ONE Archives of USC, Los Angeles and PARTICIPANT INC, New York. Bogart remains an interdisciplinary artist and continues to work on his music, art, apparel and newly launched streaming show Feelin’ Fruity. 

Download PDF – Paintings
Download PDF – Ceramics
Download CV

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Seth Bogart, Surfs Up!, 2018, Oil on canvas, 48 x 36 in (121.9 x 91.4 cm), SBO18.071
Seth Bogart, Girls At Our Best!, 2018, Oil on canvas, 36 x 36 in (91.4 x 91.4 cm), SBO18.073
Seth Bogart, Weight Loss Scammer, 2018, Oil on canvas, 36 x 60 in (91.4 x 152.4 cm), SBO18.076
Seth Bogart, What The Fuck Did I Just Paint?, 2018, Oil on canvas, 30 x 30 in (76.2 x 76.2 cm), SBO18.077
Seth Bogart, Primitive Painters, 2018, Oil on canvas, 24 x 24 in (61 x 61 cm), SBO18.079
Seth Bogart, Tammie Twists Off Once A Week, 2018, Oil on canvas, 24 x 24 in (61 x 61 cm), SBO18.080
Seth Bogart, Fly in the Ointment, 2018, Oil on canvas, 36 x 48 in (91.4 x 121.9 cm), SBO18.081
Seth Bogart, Thing, Do The Creep, 2018, Oil on canvas, 24 x 24 in (61 x 61 cm), SBO18.082
Seth Bogart, Bananas I, 2018, Oil on canvas, 30 x 24 x 1 in (76.2 x 61 x 2.5 cm), SBO18.128
Seth Bogart, Seth Bogart Licks, 2018, Oil on canvas, 60 x 48 x 2 in (152.4 x 121.9 x 5.1 cm), SBO18.129
Seth Bogart, Bananas XL, 2018, Oil on canvas, 60 x 48 x 1/2 in (152.4 x 121.9 x 1.3 cm), SBO18.127
Seth Bogart, Banana Cockring Holder, 2018, Ceramic, 8 x 2 1/2 x 3 in (20.3 x 6.3 x 7.6 cm), SBO18.001
Seth Bogart, Spiked Gloves & Chain, 2018, Ceramic (3 pieces), Dimensions variable, SBO18.003
Seth Bogart, Seth Bogart Signature Banana, 2018, Ceramic, 7 1/2 x 4 x 1 1/2 in (19.1 x 10.2 x 3.8 cm), SBO18.005
Seth Bogart, Seth Bogart Cuffs #1, 2018, Ceramic, 12 x 4 x 1 in (30.5 x 10.2 x 2.5 cm), SBO18.010
Seth Bogart, Finger Me, 2018, Ceramic, 7 1/2 x 1 1/2 x 1/2 in (19.1 x 3.8 x 1.3 cm), SBO18.014
Seth Bogart, Katya Toothbrush, 2018, Ceramic, 6 x 2 1/2 x 1/2 in (15.2 x 6.3 x 1.3 cm), SBO18.015
Seth Bogart, Big Sexy Hair, 2018, Ceramic (2 pieces), 11 x 3 x 3 in (27.9 x 7.6 x 7.6 cm), SBO18.017
Seth Bogart, Colt Sta-Hard, 2018, Ceramic, 5 x 2 x 2 in (12.7 x 5.1 x 5.1 cm), SBO18.019
Seth Bogart, Muscle Milk, 2018, Ceramic, 7 1/4 x 3 x 3 in (18.4 x 7.6 x 7.6 cm), SBO18.020
Seth Bogart, Watermelon Toothbrush, 2018, Ceramic, 7 1/2 x 2 1/2 x 1/2 in (19.1 x 6.3 x 1.3 cm), SBO18.023
Seth Bogart, Chain Got My Tongue, 2018, Ceramic, 12 x 2 x 4 in (30.5 x 5.1 x 10.2 cm), SBO18.024
Seth Bogart, Foot Toothbrush, 2018, Ceramic, 4 1/2 x 3 x 3/4 in (11.4 x 7.6 x 1.9 cm), SBO18.027
Seth Bogart, Duct Tape, 2018, Ceramic, 8 x 2 3/4 x 4 3/4 in (20.3 x 7 x 12.1 cm), SBO18.043
Seth Bogart, Open Wide Ashtray, 2018, Ceramic, Mouth: 4 x 4.5 x 2 in; Dimensions variable, SBO18.044
Seth Bogart, Celebrity Skin, 2018, Ceramic, 6 1/2 x 9 1/2 x 3/4 in (16.5 x 24.1 x 1.9 cm), SBO18.085
Seth Bogart, The Dungeon, The End Matches (2 pieces), 2018, Ceramic, 2 1/4 x 2 1/4 x 1/2 in each, (5.7 x 5.7 x 1.3 cm), SBO18.088
Seth Bogart, The Whip, 2018, Ceramic, 9 x 4 x 1 in (22.9 x 10.2 x 2.5 cm), SBO18.096
Seth Bogart, Seth Bogart Lick, 2018, Ceramic, 3 x 3 x 1/4 in (7.6 x 7.6 x 0.6 cm), SBO18.098
Seth Bogart, Lubriderm: Bound & Gagged, 2018, Ceramic, 10 1/2 x 5 3/4 x 2 in( 26.7 x 14.6 x 5.1 cm) Tissue: Dimensions variable, SBO18.105
Seth Bogart, Magic Wand, 2018, Ceramic, Dimensions varied, SBO18.108
Seth Bogart, If You Don’t Wanna Fuck me, Fuck Off Button Set, 2018, Ceramic, 2 in diameter (each, 4 pieces), SBO18.121