For many, The Armory Show’s 2020 VIP preview marked the last moment of normal before the world paused: in a heartbeat, museums and galleries shuttered, art fairs postponed, then cancelled, and dealers rushed to sophisticated virtual platforms. But Thursday morning saw the official emergence from this long hibernation, as the first major American fair returned with VIP hours and fresh September dates at the sprawling Javits Center.
Die Ausstellung VOTE im Kunstverein Heppenheim zeigt die beiden Künstler*innen Andreas Breunig und Jana Schröder. Das von den beiden gewählte Konzept sieht einen Wettstreit vor, in dem die beiden gegeneinander antreten.
In her first solo show at this gallery, Jana Schröder proceeds nonchalantly through a strongly performative pictorial practice. Her large canvases appear like monuments of automatic writing—in this case, notes and doodles—of the type one might imagine psychoanalysts encouraging patients to make in order to gain access to repressed memories.
The cool and abstract works by 1983-born artist Jana Schröder carry their own signature: not only does Jana explore the doodle structure over and over again, but in her 'Spontacts Series' she also approaches the specific aesthetic of handwriting. Jana studied at the Kunstakademie Düsseldorf under Prof. Albert Oehlen and subsequently founded the GSK – Gesellschaft für Streitorientierte Kulturforschung (Society for Conflict-based Culture Reserach), which staged weekly battles between two art works from different artists.