Georg Karl Pfahler will have his debut exhibition in Texas at at the Dallas Art Fair, October 1–4. Though he passed away in 2002 at the age of 76, his work is as crisp and vibrant today as when it was created decades ago. This one-person exhibition will be the focus of Nino Mier Gallery’s program at this year’s fair.
As opposed to the more angular, square forms prominent in much of the rest of Pfahler’s oeuvre, the Tex series is characterized by rounded forms. The use of rounded shapes softens the relationship between the hard edges and intense color and offers the viewer a much more congruent visual experience compared to many other works painted by the artist. When viewing Nocturn Tex (1964-1970), the eye glides gently over the canvas.
The 40-ton bronze bust of Karl Marx, built in 1971, still looks on to a major thoroughfare in this east German city, which was once called Karl-Marx-City. In the 19th century, Chemnitz bore another moniker, the Manchester of Saxony, reflecting the factory smokestacks across the horizon. Today, bleak concrete apartment houses border treeless boulevards, remnants of socialist urban planning.